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Luxury Mass

by Ex-Isles

supported by
Gavin Jefferies
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Gavin Jefferies I hope it will not be too long before another piece of Ex-Isles is released. Favorite track: Eye/Exile.
Alasdair Duncan
Alasdair Duncan thumbnail
Alasdair Duncan Somehow manages to be intimate but grand at the same time. Reminds me of Scott Walker in his imperious 70's prime. Favorite track: Wednesday's Child.
John Pope
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John Pope Audacious. At once lush and stark. Pete Devlin's voice is a pillar of dark glass grown from a rich, brown soil.
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1.
Gaslit to madness in a grey stumbling cloak is a spectre of sadness on the eyelid of the slope. Oh, Errol in blackness, feral under black lights with little else to carry but his song from the islands. The songs that keep captive, his concrete consonants, the songs that will summon, elsewheres and ancients. And the voices that conjure the tall basalt strangers, the long blackened records, the yelling glacier cuts, the loud irascible shores, are the dialects pressed into fallen firmaments as horizons underfoot. Oh, Errol in blackness, feral under black lights with little else to carry, but our songs from those islands.
2.
Arrival 04:40
Press your tongue against the plate of your skull, pull your teeth around the skin of your lips. announce and perform an adoption a surrender. renounce and deform, denounce and reform, your mother’s tongue. and when you arrive the demands we make are little surgeries or open cast mines with designs to act like a puncture in your neck, a wound a valve, an injury that marks the severance between here and there so that the cut of your tongue will carry no weight, and not enough air, to bear to relate the distinctions the details the stories of your negotiations with the sea the mountains the towns with the lines we draw the thresholds that promise peril for you and luxury for us. and when we hear the mutilations of our sovereign cant we’ll call you out to bear the sin of the fury that knocks, of the wrath that pounds. on our thinning skin.
3.
4.
Run! Cry the fells Sun gasps mountains wide Burnt, is the hem of the forest The maw of cold, roaring slow Run! To the porcelain hills To the snow that speaks underfoot As interior twist As rubber against itself, Stretch Stretches your throat as you swallow. tearing the roof from your mouth the roof from your home Stretch your throat as you swallow Your tongue ripening slowly And quickly hushing you hollow. So I pluck the bone inside my ear. I open up the cavity and ask, you to crawl inside and whisper… all the words for snow, and all the words for light, all the words for night, all the words you know. all the words for snow, and all the words for light, all the words for night, all the words you know.
5.
Fallen 01:11
I admired the reflections on the windows as you fell. I saw sides of you, I hadn’t before. but the depths you’d plumbed before you leapt, swallowed whole all the shame I felt for leaving you alone.
6.
Lungs they hang strung like chilli in the window downstairs feet and ears and snout and eyelids pulled away I’m upstairs sleeping it’s in the eyes, all in the eyes you’ll say where the souls lay where are they now? It’s three in the morning, the whistle and crack of body breaking of beams and panes and bones aching... I am the stoney, milk-eyed man, upstairs sleeping. I have you honey, I have the milk of your kindness I am the stoney, milk-eyed man, upstairs sleeping. I have you honey, I have the milk of your kindness. But I am the blood, and I am the phlegm, and I am the choler, and I am the bile.
7.
Bellows 01:13
S is S, and only sings in autumn, when her teeth un-seize from the hissings of summer, when her belly un-chalks and digests the words, she kept within the quarry of her gut.
8.
I’m the last choke, the sliding yoke, slow slowest slow. slower draught and needling muscle, curling in palsy I bend inward, my bough inside yawns its aches, your hand on my back, hopelessly. She’s in the forest, breathless she’s hope, she’s here, the lump in my throat she’s the name I’ll never say only as an echo can I hear of her. I’m the last choke, the sidling yoke, slower ever slow, and my gut, dry as a stone, dry of song. I wilt I crack. my riverbed run to ground. on the linen; on the skin, my insides out, her lips by my ear, she breathes for me, she breathes for me. She is the forest, she’s the summer wild, she’s hope, she’s here, the lump in my throat she’s the name I can never say only as an echo can I hear her. I’m seized and soundless, but hers is the voice I miss the most.
9.
The Visitor 04:12
We stand outside, your hands on my hips and they say, we are so handsome together. and i watch the smoke from your lips, unfurl…and dance… let’s dance it’s the first time i’ve seen you in a while, so we pretend it’s been no time at all. We’ll run away together, our teeth in hand, we have so much we must unlearn; the way we speak about each other, the way we think about time abandoned, so we pretend it’s been no time at all. And we’ll bound across the landscapes… though we’re bound to trace the edges, to skirt the borders of the cities whose promise is the right to shed ourselves of ourselves.
10.
Eye/Exile 01:30

credits

released September 14, 2018

All songs written by Pete Devlin and James Joys
Lyrics by James Joys

www.ex-isles.eu

Produced by James Joys at home & Rocky O' Reilly at Start Together Studios, Belfast.
Mastered by Stephen Quinn at Analog Heart, Dublin.

Photography and sleeve design by Ross Cunningham
www.rosscunningham.com

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Ex-Isles Belfast, UK

Insurgent perseverance

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